Every curve is measured.
The ring is the room's real decay, the handles are the EQ, the flower is your signal. Drag anything.

A reverb that simply sounds good. Real rooms instead of an algorithm — the natural depth your ears already know, as if you were standing right inside the space.
01ClickTap the numbers 01–04 in the picture to see what each part does
Headphones on · sound up
The ring is the room's real decay, the handles are the EQ, the flower is your signal. Drag anything.

Put the space anywhere around your head — behind, above, circling — and automate the path. Drag your sources and, with WET FOLLOW, the whole reverb goes with them — tail included, right around your head on headphones.

Blend a tomb into a cathedral, or let CAIRN travel through all of them on its own.

Freeze keeps the tail as a cloud that never drifts; Bloom gives a recording the life of an algorithm.


Twenty-eight presets, sorted the way you work. Every tile draws the real decay of the room the preset uses: a stone chamber is a short hill, a cathedral a long slope. Type “minster” and every York Minster preset is there.






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Licence One serial from your purchase email. Offline, on every machine you use, for good — and every update is free. Pricing policy
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Impulse responses: OpenAIR, Audiolab, University of York, CC BY 4.0. Photos: Wikimedia Commons, credited in every field note inside the plugin. Two of the rooms are reconstructions and say so.